Victor Wooten is one of the most celebrated electric bassists of all time. His secret seems to lie in doing his own thing, breaking boundaries and defying categorization along the way. Chip Stern wrote in Musician Magazine that he is "proof that all men are not created equal." To this Victor says, "A lot of guys who have been around for a long time are shocked when they see some of the things I am doing. Fortunately, they like it."

Victor's performances as a member of the Grammy-award winning Béla Fleck and the Flecktones have gained him the adoration of bass players and music fans worldwide. He was awarded a 1999 Nashville Music Award for Bassist of the Year (his second) and in 1998, he received his third Bass Player of the Year award from Bass Player Magazine (the only bassist to have received this award more than once) and was named one of the Top 10 Bass Innovators of the '90s by the same publication. Also in 1998, Vic won his second Grammy (Best Instrumental Composition for Almost 12 from The Flecktones album Left of Cool) and Down Beat magazine voted him Talent Most Deserving Wider Recognition.

Marcus is a ranking slap man. His style is very distinct. It´s clear and you´ll never hear anything but a pure tone, no other sounds as fretbuzz or so (if it is´t his intention to get those sounds of course). His bass lines sounds so obvious that you don´t really understand whether it´s difficult to play or not, until you try to play them yourself.

Another trademark for Miller is his sound. It´s warm and very smooth yet with something raw. That sound is usually called "hi-tech sound". His "hi-tech sound" played on a Fender Jazz Bass makes it very rare. Marcus is the only bass player I've ever heard who can get that "hi-tech sound" with a Fender Jazz Bass.